Arkansas Barley Fields Essay

The picture. Arkansas Barley Fields. by Louis Freund is illustrated with a landscape. covered in light-green. brown grass. barleys. dark green trees. sky bluish H2O and mountains. The sky above the mountains is bluish with a few clouds. which may bespeak that the clip of twenty-four hours is flushing or afternoon. This picture was made in 1939 and its medium is oil on a board. It is presently being shown at the Arkansas Art Center and measures about 18 inches by 24 inches. Arkansas Barley Fields illustrates multiple ocular elements of art and besides rules of design.

The ocular elements employed consists of infinite. clip and gesture. and line. Multiple lines are shown in this picture ; regular and irregular lines. implied line and communicative lines. Freud uses natural and organic lines for the landscape of this graphics. The grass located in the forepart of the barley and the barley itself illustrates irregular lines. Irregular lines at first. may look helter-skelter and possibly even scribbled. which is precisely what seems to be the issue in the illustration of the barley. Though the lines seem scribbled. the picture as a whole is controlled and easy to see and grok.

Irregular lines can be described as free and unrestrained and are defined as the contemplation of the abandon of nature. pandemonium and accident. unlike regular lines. which express control and planning. Regular lines are illustrated in the bark of the trees. The batting order of the trees non merely show regular lines. but besides implied line. In this graphics. implied line is shown in the batting order of the trees and besides in the batting order of the barley. There is non an existent line portrayed but the manner that the trees and barley are positioned causes an implied line.

Since Freud uses irregular lines in the illustration of the barley. the “chaos” would besides be conveyed by utilizing communicative diagonal lines. which express action ; the barley blowing in the air current. This is besides true in the illustration of the grass. The barley and the trees look of motion can be described as implied gesture. The trees and barley aren’t really traveling. but the author’s lines suggest to the audience that they are decidedly in gesture. The communicative lines along with implied gesture of the barley besides gives the spectator a sense of the texture of the barley.

With the diagonal barley strands lodging out from the sides of the bushels. the spectator could grok that the texture of the barley is similar to that of hay ; straw-like. smooth or unsmooth. possible toffee. The barley is so elaborate that it looks as if you pulled one of the strands hanging off of the side. you would see the whole grain. Not merely does the writer usage diagonal lines. he besides uses horizontal lines in the illustration of the H2O which conveys to the spectator the peaceableness of the graphics. Atmospheric position creates the semblance of deepness.

The distant objects ( the trees. barley and mountains ) lack contrast. item. acuteness and focal point. The barley in the really forepart of this picture seems to be closer to the spectator because it’s form is more defined and elaborate. unlike the barley farther in the background. which lacks inside informations. doing it seem further off. The rules of design. illustrated throughout this graphics are balance. integrity and beat. This graphics depicts asymmetrical balance. When split down the center. both sides are non indistinguishable or the same. but are still balanced due to similarities.

This construct is what makes this work unsymmetrically balanced. The similarities in this graphics can besides be conveyed as repetitiousness. which contributes to the rule. beat. Freud uses simple repeatative beat by utilizing the same elements which sets up a ocular beat to the viewing audiences. Both big rhythmic patterned advances and micro beat work together to supply beat in this mountains. H2O and besides in the usage of colour. The big rhythmic patterned advances guide our eyes all around the work as a whole. Harmonizing to Elvis Presley. beat is either something you have or you don’t.

Arkansas Barley Fields decidedly has it! Due to the repeat used in this picture. integrity is besides shown. Freud uses integrity by forming repeats of form. colour and texture to make a ocular harmoniousness. Gestalt integrity is besides used to demo the illustriousness of the work as a whole. This picture as a whole is much greater than “certain parts. ” The landscape. or field. environing the much elaborate barley besides has so much item that without each other. the work would be less appealing. Without the ocular elements and rules of design. Arkansas Barley Fields would hold a much less consequence to the spectator.

This picture gives the spectator a feeling of peace. regardless of certain elements used. This feeling is felt due to the artist’s usage of gesture and strong colourss. The strong. dark colourss provide the spectator with a personal feel of the field. as if the air current which moves the barley and grass from side to side is besides giving you a soft sway. The rules. integrity and rhythm play a large portion in this personal feeling. Without these rules. Arkansas Barley Fields would hold a wholly different significance and would besides give off a different feeling to the spectator.