Historical Influences in the Works of Milton Glaser
Milton Glaser perfectly exemplifies a designer-illustrator with a grandeur taste for artistry. He is a master of ingenuity and guru for those who have an eye for graphic designs. A lot of famous and significant events that were marked historically from the past have been very influential for his masterpieces. His scope of influences ranges from classic to contemporary ones. When you look closely into his handiwork, it can be noticed that he always wanted to fully encompass in miniscule details what those influences signify.
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His most recent inspiration was the 9/11 catastrophe, one of the most tragic-historical events of all time. He was the brain behind the famous “I love NY more than ever” logo. It is merely his reaction to the 9/11 adversity that truly became sensational and bagged as the “most frequently imitated logo design in human history”. It is considered a magnum opus since it became popularly known as the prototype of all logos in the world. Some of his chosen inspirations like Mozart, Maxfield Parrish and Viktor Frankl were symbolically intricate to illustrate but Glaser was able to dramatically unveil what these geniuses intended to convey. Mozart’s non-equipoise, Parrish’s series of spectacular backdrops, and Frankl’s inkling were very impressive for the revolutionary artist. As for Miro’s “ladder leading to the heavens”, he proved it was not that bad enough to do an impression of one’s original mastery unless your own translation will superbly envision its theme. He had fabricated a course of posters for an exceptional music institution in New York, namely Julliard, but the third representation that was based on Miro’s concept incorporated a touch of visionary breadth and explicitly elucidated his intention. Cubism, an innovative technique from Braque and Picasso is also one favorite arrangement of Glaser. Incomprehensible as it is, the distortions were majestic in his eyes and he made several posters with those patterns serving as an archetype. He seemed to be fascinated on how cubism appears to be indifferent yet splendid and how it captivates the eye from countless point of views. Those works envision a dynamic progression and that why he was literally attracted to it. Another source of inspiration was seen in his portrait of a youthful Elvis. This was an original idea from the early Romans which emphasizes the illuminated features of a young man prior to his languish. But one of what he considers as a major fount of creativity is Magritte. He employed Magritte’s technicalities in the Full Color Sound ad he made for Sony. This one is somewhat identical to the second poster for Julliard, The Pianist. Both were spotless collages with contrasting hues that gracefully coordinated. These types of work obviously define Glaser’s spontaneous undulation. Many other long established art wizards have been very influential to his style like Bonnard but he had also referred to celebrated and historical events such as music festivities and highly respected guilds in the society.
Glaser’s artworks are epoch-making on our generation today. It clearly expresses how punctilious he is and that surrealism is true aesthetics. Nothing is trivial based on his reasoning. He immensely had various inspirations from people, places to events that cultivated his fantasies. Every work he does is unison of his appreciation and enthusiasm for all sources of crafty approaches. All his piece de résistance has sophistication, magnanimity, and charisma. His artistry delivers and exudes ethereal and immortal ambience. Having strong historical influences and a gift of generosity are his keys for producing timeless pieces. Milton Glaser will always be one of the many futuristic and progressive artists of the modern society with a taste of passion for graphic designing, and every opus is entrenched as a fruitful labor of whimsicality.
“Glaser, Milton.” Milton Glaser Inc. 2006. 14 January 2009. <http://miltonglaserposters.com/>