Fitzgerald condemns his readers to the cognition that the American dream is non the key to eudemonia but instead the step manner which one time started upon leads ineluctably to devastation. When we refuse to accept world. we lose it wholly.
The impression of the American dream is a primary concern in the novel. Coincidentally Fitzgerald shows it to be merely that. A dream. The frequent. yet elusive mentions to theatre. phantasy and ideals throughout the fresh reinforce this. Like any ideal. it is flawed through human construct and action.
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It is Nick who describes Gatsby’s transmutation from “young Gatz” to “Jay Gatsby” . comparing it to Platonic construct. It is in this sense that Gatsby has finally doomed himself. Plato’s existences were perfect. ideals of human aspirations. formed by the infallible sculpturer. in contrast. “the obscure contour of Jay Gatsby had filled out” with the aid of a “singularly appropriate education” by a adult male who embodied the “savage force of the frontier brothel” . Regardless of the fact that this “ideal Gatsby” is basically flawed. Gatsby’s inability to truly go the ideal besides hinders him. He is neither one thing nor the other. alternatively he dances along the precipice. unable to bear being “young Gatz” but besides unable to transform wholly into “Jay Gatsby” . this is apparent both through his conspicuous absence from his ain luxuriant parties. “he was non there” ; and in the defects of his props. eg. the “absolutely real” books which adorn the library but have ne’er been read.
Every thing about the created character of Jay Gatsby is excessive. as though immature Gatz feels the demand to over compensate lest person see through his parody. Like the books. the parties. the apparels and the “elaborate formality of speech” Daisy is yet another prop. similar to the decoration from Montenegro. to add to the aggregation of the convincing artifacts which confirm Jay Gatsby’s life. Nick describes how the fact that work forces had antecedently loved Daisy “increased her value” in the eyes of Gatz. This reinforces her place as an object but more significantly she was a convincing object. an appropriate object for glorious hereafter of Jay Gatsby. Daisy was an object to endeavor towards. as absolutely unachievable as the American dream but something which never-the-less lingers on the peripheral of Gatsby’s consciousness yet will stay unsubstantial because of Gatsby’s deficiency of substance.
It is in the concluding phases of the novel where conflict between idealist phantasy and world is eventually ended for Gatsby. His “invisible cloak” of semblance faux pass from his shoulders. the “contour of Jay Gatsby” is shattered. “broken up like glass against Tom’s difficult Malice” but with it is besides broken the staying fragments of Gatz. for he was both and neither. life in changeless semblance which was decimated by the rough visible radiation of world. Without the barrier of that “last hope” . the committedness to the “following of a grail” . Gatsby was gone. The fact that he was shot by Wilson is irrelevant for in truth he was already dead the minute that shimmering “green light” faded.
Alternatively of achieving felicity in the chase of the dream Gatsby is destroyed by it. Like his luxuriant library. with absence of one book. or one hope. the full thing “was apt to collapse” .
