V for Vendetta. the dystopian movie based on the in writing novel by Alan Moore. is the movie that will be discussed in this response. The movie showcases a universe that is ravaged by atomic war. and is centered on England ( more specifically London ) . which is shown as being ruled over by a fascist party known as Norsefire. The supporter is an unknown cloaked terrorist like figure known merely as V. who is engaging a blood feud against the authorities for bring downing the horrors of a concentration cantonment known as Larkhill. of which he is the lone subsister.
V is an bizarre character who lives in a topographic point which he called The Shadow Gallery. where he houses artefacts of art and civilization which are banned under Norsefire. The movie is about how V meets Evey Hammond. a immature adult female who finally becomes the following V towards the terminal of the movie. and besides how he wages his blood feud against Norsefire – by blowing up assorted buildings that symbolize the authorities. and traveling on air to speak to the people of London straight.
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The issues under unfavorable judgment here are that of dictatorship and the loss of single freedom under the same. The captives at Larkhill are similar to those tortured in the Nazi concentration cantonments of the Second World War: they are persecuted for being who they are. because they do non adhere to mainstream values. These people are homophiles. groups. black: as a quotation mark from the movie competently goes: “different became dangerous” .
The control that Norsefire exerts is entire. which is what suppresses the cherished person freedom and the rights of anyone who does non travel by what the party considers acceptable. Another issue that the movie addresses is the tongueless obeisance of the people of London who are. harmonizing to V. so comfy in the order that Norsefire establishes that they neglect freedom and autonomy for the interest of this asleep security. The acquiescence is responsible for the kinky world in the dystopian of V for Vendetta.
Citation from The Handmaiden’s Tale: “Moira had power now. she’d been set free. she’d set herself loose. She was now a loose adult female. ” ( Chapter 22. pg. 133 ) This citation evokes the character of V in the movie V for Vendetta. Just like Moira. V had one time been ( at Larkhill ) a captive of the forces of dictatorship. but purely in the physical sense. Mentally. both characters prise themselves off from the control being forced upon them — the full intent. after all. of these governments is to hold control over single heads.
Therefore. the power that usually would rest with the government is transferred to the person: V. He has taken the enterprise to disobey. challenge and reject the really codifications by which other citizens abide. and his actions. words and even the topographic point in which he resides are a testament to his rebellion. Naturally. Moirna in Atwood’s novel is seen as a “loose woman” by the powers that be. because she has rebelled. In much the same mode. V because of his rebellion is labeled a terrorist. and an criminal.
Therefore both the suggestion of rebellion and the effects of it in the selected quotation mark can be greatly applied to what happens in V for Vendetta. V non merely defies the system. he goes several stairss in front and seeks to actively interrupt it. He does this in a systematic and clever mode. and while pull outing his blood feud on the specific persons who were responsible for the horrors of Larkhill. he besides works against Norsefire and the forces of fascism as a whole.
V is a symbol for lawlessness and freedom: he is the polar antonym of everything the dystopian universe presented in V for Vendetta stands for. The sarcasm is that both Moira and V are “good” human existences in their ain right: Moira is a women’s rightist and ferociously devoted to her values. V is learned. knowing and even sensitive even though he is capable of killing ruthlessly. However. because of his rebelliousness. V is labeled in the public oculus by the authorities whose forces he is opposing.
