The art of dance Essay

How the art of dance has influenced and shaped every facet of my character. ‘Dance is the concealed linguistic communication of the soul’ . This look accurately describes what dance has ever meant to me. It has ever been the one thing that has helped put me free both literally and metaphorically. I was introduced to the art of dance at the stamp age of five. and since so. hold fallen profoundly in love with the art of Bharathanatyam. After about 16 old ages. I am now a professional terpsichorean with a sheepskin in the classical Indian dance signifier. Bharathanatyam from SIFAS ( Singapore Indian Fine Arts Society ) . And I can confidently state that dance and my accomplishments in it have shaped me to go the disciplined. resilient. confident and compassionate adult female I am today. Get downing my journey in an art signifier that required a high degree of committedness and difficult work at a really immature age instilled subject in me. Bharathanatyam is a really beautiful art signifier but one that requires utmost physical cogency and preciseness. It is both physically and mentally demanding.

When I foremost started larning Bharathanatyam. I thought it would be easy since the terpsichoreans I saw executing on phase danced with such easiness ; their motions seemed so effortless. However. merely when I started larning it decently did I recognize how hard it truly was. There were many basic ‘adavus’ ( steps/movements ) that I had to get the hang first before I could even get down larning full dance sequences. Each basic measure that I learnt required a batch of preciseness. and to achieve such preciseness in the executing of my adavus. I had to pattern unrelentingly. As a consequence. I would pattern my adavus for an hr in the forenoon and for another hr at dark every twenty-four hours. This became a wont for me that continued for old ages. When I started prosecuting my dance test. and making phase public presentations. I had to work even harder. I had dance categories every twenty-four hours after school that lasted two to three hours. On top of my dance patterns. I besides had dance theory to analyze in my ain clip.

As such. I had to pull off my clip really carefully in order to be able to make good both in dance and school. Old ages of perpetrating myself to dance has therefore decidedly taught me to be disciplined. I do non acquire to make things when I feel like making them. I complete the undertakings at manus when I have to every bit expeditiously as possible because that is the manner larning dance and get bying with school has taught me to be from a really immature age. Besides subject. old ages of acquisition and acting has besides made me resilient and strong-minded. As is clear from what I have already shared. Bharathanatyam is non an art that can be easy mastered. A batch of attempt and dedication is needed to master and hone an art like Bharathanatyam. Even with attempt and difficult work. there are cases when an adavu or a dance sequence seems impossible to larn and put to death. I experienced this when I was transitioning from an intermediate terpsichorean to a professional terpsichorean.

This was when many of the dances I had to make required non merely sophisticated adavus strung together one after another. but besides abhinaya. which are facial looks that help to convey a narrative. temper or the thought of a dance. This proved really hard for me when I foremost started seeking to larn it. The adavus were really complex and had to be executed at a really fast velocity. and I was merely excessively diffident to make the abhinaya. I was frustrated because despite seeking and practising. I still wasn’t every bit good as I wanted myself to be. However. the subject that I had already cultivated guided me in practising unrelentingly. I would remain back after my scheduled dance categories to inquire my senior terpsichoreans for aid and advice. I used to sit in forepart of a mirror at place and pattern my facial looks to look into if I was emoting a peculiar look suitably. I even watched fables dancing and tried to larn specific techniques from them. My friends used to name me brainsick and said that I was obsessed with dance. But my resoluteness to somehow get the hang the more hard adavus and emote looks attractively drove me to maintain seeking.

Finally. after persisting indefatigably. I bit by bit began being able to dance as attractively and effortlessly as I wanted to. I began put to deathing my adavus with the sort of preciseness I had ever wanted and people who saw me dancing on phase came up to me to state me that I was a beautiful terpsichorean. These experiences taught me to be resilient as I realized that difficult work and doggedness ever finally paid off. This realisation is the key that led me to going confident. I say this because recognizing that resiliency was the key to accomplishing my ends in dance. made me unconsciously develop the mentality that every bit long as I put my head to a undertaking at manus. worked difficult and gave it my best. I would decidedly be able to accomplish my ends and finish the undertaking. nevertheless much of a challenge it proved itself to be. Besides this. I besides owe the assurance that I have today to my infinite dance public presentations. For many. acquiring up on a phase and facing 100s. if non 1000s of people would be a incubus. However this is non the instance for me.

Dance made me fall in love with the phase and I can quite candidly say that today. the 1 topographic point where I feel like I truly belong is the phase. Surely as a kid. dancing on phase for a crowd seemed dashing. But the truth is that as I began executing at many events. I began falling in love with the phase. This is because dancing on phase. and holding people congratulate me on my public presentations. made me recognize that people enjoyed and appreciated what I did. It made me experience confident. It made me recognize that I was so good at what I did. An experience that made an unerasable grade on me was a public presentation that I did when I was about 15 old ages old. I performed for the Singapore Youth festival. a dance competition that all local schools in Singapore compete in. For this public presentation. we did an Indian common people point that involved the ‘karagam’ . a traditional Indian headdress that is intricately decorated and that is besides rather heavy.

We had these ‘karagams’ fixed on our caputs for the length of the public presentation. However. during the public presentation. my karagam unluckily came undone. It started leaning to one side and I could experience it as I was dancing. Any inexperient terpsichorean who didn’t have adequate phase presence would hold stopped dancing to manage the karagam. But my experience on phase made me rather instinctually keep the karagam with my right manus. while I continued put to deathing the dance motions with merely my left manus. I managed all of this with a smiling on my face although I was highly frightened and disquieted that something so unfortunate had happened. When I got off phase. my dance instructor and friends came running to me to state me how professionally and confidently I had handled the state of affairs and how proud they were of me.

This was one of the experiences that made me recognize the sort of assurance that dance had instilled in me. Today. I apply this assurance and resiliency in all other facets of my life. When I am faced with a challenge. I rise up to it and give it my all even if I am nervous or dying. Dance may hold given me subject. resiliency and assurance. but there is one other priceless gift that dance has bestowed upon me and that is compassion. When dancing. in many cases. I have had to re-enact war scenes and love scenes through my dance repertory. These dance points require me to experience and understand what the characters in the narrative would hold really felt. I have to understand these characters and analyse them in great deepness ; why they feel the manner they do and what drives them to act in the manner they do. Such deep analysis and apprehension of the character I represent is necessary before I can myself go the character ; emoting and finally incarnating the character through my motions and facial looks.

This has really easy allowed me to blossom into the compassionate individual I am today. because it of course inculcated the nature of desiring to understand the fortunes. emotions and agonies of those around me. Phase public presentations have besides doubtless helped in feeding my compassionate nature by leting me to link with others through the art of dance. About two old ages ago. I did a solo dance point about a female parent who loses her five twelvemonth old boy to war in ancient India. While I danced this point. I really cried on phase. because I put myself in the places of a female parent who finds her boy dead with an pointer pierced through his thorax. At the terminal of the public presentation. there were so many adult females who came up to me to state me what a beautiful and soulful terpsichorean I was and how they could associate to my public presentation in a profound manner. These experiences I have had through my phase public presentations have made me recognize the beauty of art.

They made me recognize that dance gives me the power to link with complete aliens. I did non necessitate words or addresss. All I needed was my passion for dance and the ability to truly feel and emote whatever I felt through dance. And by learning me to understand the emotions of others and connect with them. dance has taught me to experience profoundly and remain compassionate. It is clear that dance has without a uncertainty made me a stronger individual. I would non be who I am today if non for dance. It is rather clearly the one thing that I see as my individuality. I am a terpsichorean. Although many might experience that an art signifier like Bharathanatyam serves no practical intent in the twenty-first century with regard to the fact that it is clip devouring and can non perchance gain one a brawny payroll check. I will still ne’er repent larning Bharathanatyam or the clip and attempt I put in get the hanging it.

I say this because dance is non merely a avocation for me. it is a manner of life. It isn’t something that I want to make ; it is something that I have to make. The emotions that I experience every clip I lose myself to a piece of music are both beautiful and intimate. Dance has ever given me the freedom to artistically show myself. It has been the one thing that has stood by me through all the ups and downs in my life. functioning as a healthy mercantile establishment that allows me to show myself. be it defeat. choler. unhappiness. or felicity. Dance has molded me into the individual I am today ; person who believes in herself and her capablenesss. person who drives herself towards excellence in each and every one of her enterprise. I attribute all of my successes to dance as it ever gives me the strength to maintain traveling frontward. and to maintain combat for my dreams till they come true.