William Shakespeare is one of the greatest dramatists of all clip. It is besides of import. nevertheless. to retrieve and to analyze his sonnets. The sonnets are separated into two groups. 1-126 and 127-54. All of them are love verse forms of some kind. whether addressed to a immature adult male or the ill-famed “Dark Lady. ” It is of import to compare and analyse the sonnets. and to see the similarities between them. The intent of this essay is to compare sonnets 64 and 73. and demo that although it is easy to come to the decision that they are sorrowful in tone and negative in orientation. they are genuinely positive and life affirming. These two have been chosen because they are similar in this and other respects. Before discoursing the similarities. nevertheless. it is necessary to briefly depict what each sonnet is approximately.
Sonnet 64 is a call against the inevitable reaching of all that wears down even the most steadfast powers that exist in the universe. The talker stresses that even the most hardy memorials are bound to the depredations of clip: “When I have seen by Time’s fell manus defaced/ The rich. proud cost of outworn buried age. / When sometime exalted towers I see down-raz’d/ and brass ageless slave to mortal fury ; ” and so on. It is clear that the talker finds clip an enemy. capable of gnawing any attempts to persist. Time is besides the enemy to the desire to be with a loved one forever.
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In this sonnet. the talker finds himself at the clemency of his opposition. without any agencies of confronting Time with any success. He about abandons the love that he feels because he knows that it will finally fall victim to clip. There is no difference between the love that is felt by the talker and the other lasting things in the universe. such as the “kingdom of the shore” . and the “firm dirt. ” But even these things will gnaw over clip. The lone option the talker has is to mourn what he will one twenty-four hours lose.
The seventy-third sonnet is besides about the response of the talker to the fact that Time detracts from the endurance of adult male and his response to the things that make him experience loved. Shakespeare starts with a treatment of the procedure by which the things that surround adult male foremost get down to gnaw and fall as a consequence of the passing of clip. The talker is comparing himself to autumn and the dusk of twenty-four hours. He finds himself lying on the ashes of his young person. and a victim to the transition of clip. He can non prolong the love that he feels. and is consumed by both clip and love. as they one time sustained him. The talker is reasoning that the destiny of adult male is to be consumed by the really things that are his life-blood: love and clip. “In me thou seest the radiance of such fire/ That on the ashes of his young person doth prevarication. / As the deathbed whereupon it must expire/ Consumed with that which it was nourished by.
The similarities between these two verse forms are apparent. Basically. they are both about the speaker’s sense of weakness and loss in the face of the transition of clip. The subject of loss. and the perennial subject of powerlessness when faced with ephemeral clip and its effects. is apparent in both verse forms. However. these are non needfully sad or defeatist verse forms. The talker does non subject to the transition of clip by stating that he will non be able to experience or love or even unrecorded any longer. He is non depressed to the point of being unable to make anything.
Rather. the talker feels that adult male must go on to love. and to populate. despite the fact that life will stop. and love will finally lessen as clip takes over the human spirit. Although “Time will come and take my love off. ” the talker is non stating that adult male must merely non love at all. He is stating that adult male must finally give in to the effects of clip. but that in the clip that does be for adult male. it is possible to love. and to prolong oneself with that love.
These verse forms. which sound sad or even missing in spirit. are really affirmatory of the desire toward love and life: “This 1000 perceivest. which makes my love more strong. / to love that well. which 1000 must go forth ere long. ” Both of these sonnets can be interpreted as promoting the reader to hold on the fact that love can be sweeter and more abiding if the person realizes that clip will finally take that love off. It is even possible to claim that. because all love will stop. adult male should province his love early. and live that love to the fullest extent possible. In this sense. each of these verse forms can be understood to be positive. and life affirming.
At first reading. it is easy to come to the decision that the verse forms are sorrowful in tone and negative. However. after closer analysis. it is obvious that the talker is finally celebrating life. and pressing the embracing of all facets of it. whether they result in agony or pleasance. The tone is sorrowful when the talker comes face to confront with the inevitable. but the fact remains that the inevitable result. which is loss. and the transition of clip. is portion of what makes the strength of love. and the quality of life. so memorable and so enjoyable.
