The epic traditions of The Wanderer were based on Fate and God. He was believed that they controlled people ‘s lives and could “ set work forces into places where it seems impossible for them to emerge with award ” .They are judged by their pick which they carry out their chosen purpose, ne’er looking back. The bravery to defy one ‘s destiny brought about the thought of Fame, which “ is something greater than Destiny ” : the strength of will and the bravery of human existences, and the memory which could continue their workss. If he resisted his destiny, he had to hold bravery because it frequently meant confronting great physical adversities, cognizing that he would most likely dice. But the Wanderer would instead decease in an early, brave decease, seeking to accomplish Fame instead than sitting back and making nil, because “ Fame dies ne’er for him ” .

The alone roamer prays frequently for compassion

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And from clemency from Lord God ; but for a long clip.

Destiny decrees that with a heavy bosom he must dunk.

His oars into icy Waterss, working his pasaje over the sea.

He must follow the waies of exile.Fate is grim! .

The Wanderer ‘s faith included the belief of an hereafter in Heaven or Hell ; where one went depended on the wickednesss he had committed during his earthly life. Because where one went in his hereafter resulted from his actions, Christians did non believe in the heathen construct of Fate. Alternatively they trusted in the justness of God. Defeat and bad luck were easier to understand in this faith. If one suffered on Earth, but led a good life devoted to God ; that ‘s why the roamer believed that he would be rewarded for his agony in the Heaven.

Memorial is the congratulations of populating work forces

After his decease, that he must go

He shall hold done good workss on Earth against

The maliciousness of his enemies, and baronial plants

Against the Satan, that the boies of work forces

May congratulations after him, and his glorification live

For of all time with the angels in the luster.

( lines 90-93 )

Where has the Equus caballus gone? Where the adult male? Where the giver of gold? Where is he banqueting topographic point? I mourn the glimmer cup, the warrior in his corslet. The glorification of the prince.

As respects to the scene, feelings of the roamer after decease of his lord distinguish two sorts of scenes: a physical scene, which implies solitariness of topographic point without his Lord, a alone topographic point rounded by dark moving ridges, sea birds, etc.

And a religious scene, which makes mention to the solitariness of roamer ‘s bosom, who remembers his friend: his Lord and God.

For the roamer, all the delectations of the physical universe are gone. He has no Mead hall to name his ain, no Godhead to function, and no fellow kinsmen to protect him. His full universe has been transformed into an unknown and cryptic entity. He realizes that the lone true comrade to one who is exiled is barbarous sorrow and he decides that he is no longer traveling to look to the past and provender sorrow ‘s fire, but instead expression to the hereafter and extinguish sorrow from his head.

Their lone hope is to finally come to a new land where they are welcomed and able to restore their life as a fellow adult male of the Mead hall. The roamer to the full understands that his destiny is fixed. He will go unrelentingly in hunt of a new people utilizing hope as his lone agencies of redemption.

He who has had long to bury the advocate of a darling Godhead knows so how, when sorrow and kip together bind the hapless dweller-alone, it will look to him in his head that he is encompassing and snoging his vassal Godhead and puting his custodies and his caput on his articulatio genus, as it some times was in the old yearss when he took portion in the gift-giving.

This transition demo us that the roamer ‘s sorrow makes him realizad that he is going his ain victim by leting sorrow to “ adhere ” him entirely while he sleeps. He must halt keening about his old Godhead and happen a new one which will ne’er abandon him and ever be at that place when he needs him. He will shortly come to the realisation that the lone Godhead he will of all time happen which will welcome him with unfastened weaponries is Christ.

The roamer is fundamentally projecting off his privation of a physical universe and concentrating on the constitution of a religious flight path from all the injury and hurting which has afflicted him. It took being exiled for him to derive the wisdom of cognizing that true contentment comes from within. “ … this middle-earth each twenty-four hours fails and falls ” .

He knows that he must endeavor to derive the credence of a higher being than that of the known universe ; or human being continues to get the better of him.

And he now must endeavor to go a portion of the the Celestial spheres: “ No adult male may so go wise before he has had his portion of wisdom in this universe ‘s land ”

The codification of a comitatus would care for the Wanderer ; he allowed to dine in Mead Halls, and if a he was loyal to his Godhead, the Godhead would honor his topic with hoarded wealths. “ The Wanderer ” is mimetic when the talkers reflect on the dining halls and wagess during the Anglo-Saxon times.

Whether observation or personal experience, these are events that really occurred in Anglo-Saxon clip. They are non merely stanzas of fiction written by an inventive writer ; this verse form is contemplations of the life of the Anglo-Saxon civilization, experiences of the people, the state of affairss that are written, viz. , the expatriates and separation from Godheads, are so trae of the Wanderer.

As heathens, they believed in many Gods, but they besides believed strongly in heathen epic traditions that ruled their society and literature.

The roamer seems to believe that by making good plants and acquiring to heaven, one will derive celebrity for making so. He besides still believes in the heathen doctrine of Fate: “ Yet destiny is mightier, the Lord is more powerful than any adult male can cognize. “ .Even though he thinks the 1 and merely true God creates one ‘s fate ; that ‘s why he can non get away from the traditions of the Anglo-Saxon clip.

As a decision “ The Wanderer ” , an elegiac verse form give us, as readers in modern yearss universe a glance about how life was for the Anglo-saxons in the early centuries. This experience or observation of the clip demo how the Anglo-Saxon society was organized and the importance of the Godhead to his comitatus ; traditions and the belief of God and Fate ; the Wanderer asks about beliefs of his faith, and demo the chief battle of the civilization during that clip: the passage from Paganism to Christianity.

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